Jean Schlumberger

As one of the 20th century’s most gifted artists, Jean Schlumberger is renowned for his fantastical creations. A man of refined taste, he possessed an uncanny ability to bring the world around him to life—rendering his surreal creations of flora, fauna and fabric in diamonds and colored gemstones. Innovative, imaginative and uninhibited, Schlumberger ushered in an unprecedented chapter of jewelry design when he began his legendary collaboration with Tiffany in 1956.

The Artist

Born in 1907 into a prominent family of textile manufacturers in Alsace, France, Schlumberger demonstrated a talent for drawing from a young age. In his early 20s, Schlumberger moved to Paris to hone his creative impulses and passion for the arts and opened an atelier on rue de la Boetie. In 1937, fashion designer Elsa Schiaparelli learned of Schlumberger’s artistic genius, and enlisted him to lead design for her collections of buttons and costume jewelry, to widespread acclaim. After serving in the French Army during World War II, Schlumberger moved to New York and opened a small salon. Despite his early success, it wasn’t until his 50s that Schlumberger was asked by Walter Hoving, then Chairman of Tiffany & Co., to join the company as Vice President. A special design studio and salon were decorated to the designer’s specifications, and with an unlimited supply of the finest colored stones now at his fingertips, Schlumberger created some of the most incredible jewelry designs of his career.

A superb draftsman, the self-taught artist began each design with a drawing to discover the purity of the forms that caught his eye. With smooth, ultrafine tracing paper, pen and India ink as his media, Schlumberger applied the gouache technique with continuous, fluid lines, giving form to his imaginative shapes and elegant motifs. Innovative by nature, it was during this time that Schlumberger created some of Tiffany’s most iconic designs including his Bird on a Rock brooch, intricate paillonné enamel bangles, the Cooper bracelet and the Sixteen Stone diamond ring.

The Craftsmanship

As one of the most gifted jewelry designers of all time, Schlumberger’s dedication to craftsmanship was unparalleled. His masterful woven gold designs pay homage to his family’s textile legacy and he seamlessly juxtaposed geometric motifs with organic shapes to create three-dimensional textures. Mixing 18k gold and platinum, Schlumberger’s wire work seemingly surpasses jewelry design, entering the world of sculpture. Not only was he known for his innovative use of twisted 18k yellow gold, Schlumberger also paid homage to nature’s palette through his use of brightly colored enamel and vivid gemstones. In fact, it was Schlumberger who revived the public’s inclination towards bolder, stronger pieces with his unexpected pairings of bright colors. Schlumberger is also credited with reviving the art of paillonné enamel—a 19th-century art form that involves a labor-intensive process of layering enamel over 18k yellow gold. By firing translucent enamel over fine sheets of gold foil, he was able to create masterpieces of extraordinary depth—most famously, his iconic paillonné enamel bangles.

The Tiffany Diamond

When Schlumberger began his tenure at Tiffany & Co. in 1956, one of his first artistic moves was to mount the legendary Tiffany Diamond in a high jewelry design. In a bold move that solidified Schlumberger’s artistic role at the company, Tiffany entrusted the young designer with setting the 128.54-carat fancy yellow diamond in his iconic Ribbon Rosette necklace. Later, in 1995 at the Musée des Arts Décoratifs’ Jean Schlumberger retrospective in Paris, the diamond was re-set in one of his most beloved creations—the Bird on a Rock.

Bird on a Rock

For over half a century, the Jean Schlumberger by Tiffany Bird on a Rock brooch has epitomized joy, freedom and possibilities. Designed by Jean Schlumberger, Tiffany & Co. introduced the iconic creation in 1965. Ever since, Bird on a Rock has maintained its timeless allure and evolved into a world of exceptional creations. Today, any piece from the Bird on a Rock collection is a marker of style and sophistication. The Bird on a Rock high jewelry masterpieces showcase striking diamonds, unexpected colored gemstone suites and enamel variations, while fine jewelry, watches, accessories and more feature various iterations of the diamond bird. Each design is a faithful tribute to the original emblematic creation.

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Coveted Enamel Creations

Jean Schlumberger conceived some of the world’s most celebrated jewelry with nature’s color palette as his muse and rare materials at hand, including the Croisillon enamel bracelet. Introduced in 1962, this coveted creation fuses his fascination with color and form with his love of craft and material. Jean Schlumberger is credited with reviving the art of vitreous enameling, a technically demanding technique from the 19th century that results in intensely vibrant hues.

The Inspiration

Schlumberger often traveled to Bali, India and Thailand to fire his imagination. The energetic and dynamic quality of his work is the result of immersing himself fully in nature. In fact, it was at his home on the Caribbean island of Guadeloupe where Schlumberger created some of his most celebrated designs.

The Awards

The worlds of art and fashion have celebrated Schlumberger’s brilliant career with numerous honors and awards. Not only was he the first jewelry designer to win the coveted Fashion Critics’ Coty Award in 1958, but the French government also made him a Chevalier of the National Order of Merit in 1977. In 1995, the Musée des Arts Décoratifs in Paris, which houses Schlumberger’s original designs, honored him with a retrospective entitled “Un Diamant dans la Ville.” This posthumous tribute marked only the third time a jewelry designer had been thus honored by the museum. The world’s largest collection of Schlumberger objects was given by Paul and Rachel “Bunny” Mellon to The Virginia Museum of Fine Arts’ permanent collection in the United States.

The International Exhibition of Modern Jewelry, 1890–1961 at Goldsmiths’ Hall, London